An Evening With Cindy Crawford

ccccThere’s a certain curiosity about seeing an iconic woman in the flesh, about viewing one of the world’s most beautiful women with your own eyes, about feeling for yourself that sparkle which they radiate. So when I saw that supermodel Cindy Crawford was doing a talk at the V&A I was certainly curious enough to get myself a seat in the audience. I love these talks that the V&A do, they give great intimate insight and offer a feeling of exclusive access, but I mostly love the informality of them. These talks make globally known people seem attainable and, aside from their great talents and success, you’re reminded that they are regular humans, who just happen to be living extraordinary lives. The talks are done in an interview format followed by questions from the audience, and Cindy was being interviewed by Fashion Editor of The Sunday Times, Claudia Croft.

Cindy Crawford, pretty iconic, pretty sensational to look at – not from my generation, I’m way more of a Moss girl, but, I have known Cindy’s face for a very large part of my life – and so it was pretty cool to see her for real. Dressed elegantly in black trousers, black jumper and a diamante belt, she owned the room from the moment she walked in. Looking older – yes obvs – and with cheekbones which looked a little over-plumped, but at 49 years of age, Cindy Crawford mesmerizes. I think fame itself makes people seem mesmerizing, there’s something very surreal and magical about seeing in front of you a face which you’ve only ever seen on TV or in magazines. I love it, for me it’s like the equivalent of a young girl seeing a Disney Princess come to life.

As she nears her 50th Birthday, Cindy decided to bring out a book – natch, don’t we all?! – and ‘Becoming’ is her offering. More than just a coffee table book of photos, this hardback book has, yes, lots of AMAZING images of her career, but also there are 50 essays written by Cindy herself on subjects such as learning to say no, learning to love herself, self esteem, and getting older. Issues which I personally was interested to hear her talk about. Watching her talk, she seemed like a good egg. A girl’s girl, a Mother and Wife, genuinely humble and honest. Watching her talk made me really like her. The audience were mostly female and the atmosphere seemed one of a sisterhood sharing a valued experience.

In the hour and a half chat, Cindy talked about her phenomenal career in the era of the Supermodel; sharing cool stories about Christy Turlington, Naomi Campbell and Linda Evangelista. About how the late 80’s and early 90’s was the first time fashion and music really fused, with the birth of MTV. The George Michael ‘Freedom’ video propelled this group of women – all of whom had a different beauty – to a rock-star status, these models suddenly became celebrities in their own right. She said that shortly after the video came out, all 4 girls walked down the Versace catwalk together and BOOM, she felt a shift in their status…and their wages! Still to this day, think of all the thousands of models who are out there working, only a select few really get to stand out and become known in their own right, well, Cindy was one of the first.

As well as hearing her first-hand tales from the fashion industry, I was really fascinated to hear her talk about self esteem. For me, a girl who has *forever* battled low self esteem and huge self criticism, it was brilliantly reassuring to hear a woman who has made millions from her looks tell us that she too doubts herself and fears that she isn’t good enough. She reflected on the competitive nature of the supermodels and her own insecurities. She desperately wanted her mole removed; “I hated it. But, my Achilles heel went on to become my trademark, it’s what made me stand out.” She reminded us to celebrate that which makes us unique because that’s the very thing which makes us beautiful. Meh, easy for a supermodel to say tho right? Obviously we all know it’s true and we SHOULD learn to embrace rather than hate things that we feel make us less beautiful but it’s DAMN hard. I kind of always envied models, because, I guessed in a way that they must feel at ease with their looks, like it’s one less thing to worry about because they’ve had their beauty validated by being on the cover of magazines, by being adored for their looks. But, as I get older I know that as many people may find one person beautiful, just as many others won’t, because we all see beauty in different ways. But, there ain’t no denying that some people just give great face and I figured life would be easier if you felt assured that you are beautiful. So hearing Cindy Crawford talk about how SHE felt unattractive next to other models and envied other models looks, well, it shows that women will sadly always doubt their own beauty, and very rarely recognize it in themselves. She said “I wish we could be as appreciative of our own beauty as we are of other women’s. When I look at other women, all I see is what’s right.” As I sat in my seat, I resisted the urge to shout ‘Heck yeah!….you feel that way TOO CINDY?!’ I felt the room shoulda erupted into a Ricky Lake American style frenzy of whoops and fist bumps at this revelation. But, it didn’t, because we are British, and, we were at the V&A so we were all being very polite. But, ooof, it was something big for me, a relief, to hear that it doesn’t matter who you are, what you do or where you get to in life, we all doubt ourselves and envy others. She went on to talk about bringing her daughter up in a society which is SO focused on the visuals of life. She encouraged other Mothers to focus on achievements their child makes, if they handle a situation well, or study hard for a test, to notice and comment on those things rather than their beauty or cuteness.

And, on the issue of beauty, she talked about ageing. Something which I wrongly obsess a little over. Getting older isn’t easy, but it IS easy to become preoccupied with it, and she had these words of advice. “I make sure I don’t judge myself by my 25 year old standards. I’m getting older. But, in 10 years time I will be longing for the face I have now. Learn to embrace each part of life, the now and the future. I would hope there are still many more amazing times to come.”

Aw, Cindy, what a doll. I’m glad I went to see her.

 

 

 

I Dare You To Pick One Decade

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If you haven’t seen this super cute video yet then, firstly; ‘duh? Where ya been Gurl?’ and secondly, let me be the one to show it to you, it’s totally fun! A short, sharp, shot of fashion history in a two minute vid, kinda like playing dress up dolls without any actual effort. Ace. This sweet treat shows the key look of each decade from the 1920’s to the now and although the looks are kinda cliche, the people at mode.com have got it pretty spot on in showcasing the most coveted trends from each era. So many looks to love, the question is, which decade’s look would you go for if you could only choose one? If you like, HAD to choose one era and stick to it for evermore? Ummm, I’ll take the 30’s. And a bit of the 70’s. And some of the 80’s. And a bit of the 20’s. And some 50’s. And a touch of 60’s. Eeesh. #toomuchtolove

 

Audrey Bored-rey?

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Now, I LOVE a good photography exhibition. If it’s about fashion and iconic women, I’m there, standing as a wide eyed pedestrian, my gaze fixed on glossy captures of beauty. And, when I say beauty, I mean life, in all it’s glamour, gristle, realism and fantasy, it’s all beautiful and photography shows us that better than anything. When I saw that there was an exhibition of unseen Audrey Hepburn photos at The National Portrait Gallery, I figured I’d pop it on my list. The website said to book ahead as demand will be high and so, even though it’s not something I usually bother doing, in an attempt to be organised and to force punctuality upon myself I dutifully booked myself a 1pm slot on a Tuesday for £10. Most galleries suggest pre-booking as it creates the idea that it’s gonna be popular but I never guess it really means it, but, when I arrived a little early on the day, goodness, it was busy! It was in it’s first week, and there was another big free exhibition going on but ooof, it was heaving and they were crazy strict with time slots, all the slots up until 5pm that day had already sold out, so in this instance I was pretty pleased with my pre-planning. When the clock hit 1pm I went straight into the exhibition and it was as busy in there as it was the rest of the gallery, so busy you could hardly get to see the photos, jeepers! I couldn’t believe just how many people wanted to get their peepers on the portraits. Obviously Audrey is lovely and very pretty to look at but, crikey, what made this so special? Well, I still don’t know. The pictures were nice, many were very small and there wasn’t any which I felt were anything new, it all kinda felt like I’d seen it before. I assumed that it would get more magnificent as I went round, it was all very beautiful and a sweet insight into Audrey, but, I have to admit, I was a little under-awed. And then, it came to an end, after 3 very small rooms! A nice selection of images of a great icon, but, meh, I was left wanting more. I like Audrey, she’s not one of my most favourite girls, but I appreciate her and enjoy watching her, but these images all seemed a little stale. Maybe because I go to so many fashion photography exhibitions, my eyes have gotten used to bigger things, I like my photos in galleries to be huge, so big you feel small in comparison, so big you can see every eyelash and every pore of the skin, so you feel you’re getting something that you wouldn’t get if you just flicked through the accompanying book. I like to see a character in the images, a change from one image to the next, I guess maybe the simplicity of Audrey and her image alone is the beauty of this exhibition. I know these are portraits rather than fashion photographs, I just think I hoped for more fashion and variety in them. And they were all so small! I didn’t love this exhibition, but I did like it. I just felt it was a little over-hyped. The cynic in me thinks that maybe the estate of Audrey Hepburn needed a boost as many of the images were on loan from the family, and I see that there’s a new Audrey Hepburn cookbook hittin’ the book stores by her son with all her favorite recipes. Totally fair play, if Audrey Hepburn had been my Mama, I sure would be shouting about it all the damn time.

These shots were the ones that stood out to me;

  1. Audrey Hepburn by Philippe Halsman for LIFE Magazine, 1954 (above)
  2. Audrey as Ondine by Philippe Halsman, 1954
  3. Wait Until Dark by Howell Conant, 1967
  4. Audrey for Vanity Fair by Steven Meisel, 1991

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Audrey Hepburn: Portraits of An Icon is at The National Portrait Gallery until 18th October 2015

Alexander The Great

‘You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition.’ ~ Alexander McQueen

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It would be kinda paltry of me to approach this post as some kind of review of this exhibition because, quite simply, it’s amazingly good and surely everybody already knows it. ‘Savage Beauty’ at the V&A is pure brilliance. Curated to perfection, this is not merely an exhibition, it’s a sensory adventure, a visual wonderland and a superb retrospective of the work of one of Britain’s most enormously talented fashion designers. Alongside the theatricality, the grand scale and the amazement which it brings to the eyes, Savage Beauty manages to act as a stunning personal tribute to the man himself who died in 2010; Lee McQueen. His precise and traditional skill of tailoring, when blended with his eccentric, macabre imagination created the most spell-binding fashion which knew no limits. Unashamedly extravagant, this beautiful show is by far the biggest fashion exhibition that the V&A have ever staged and eeesh, did they stage it well! Following the massive success of this show at the Metropolitan Museum in New York, the V&A set high expectations for themselves with an eagerly awaiting audience. They needed to find a way to make it feel more intimate and home-grown here in London, McQueen’s home city, and I think they achieved that. It felt like an exhibition which celebrated a great British talent, the pride was palpable. The narrative of the exhibition takes you through various rooms of his collections, some so dark it’s like entering a Ghost Train ride on foot, and others so crisp, clean and bright it feels like you landed upon a cloud in fashion heaven, the perfect formula to portray McQueen’s love of the ugly and the beautiful. The obvious centerpiece of the show is the Cabinet of Curiosities in which you can’t help but stand and stare in awe at the many fascinating objects, films and sounds around you. For me though, the most magical element by far was the room after that which housed a giant glass pyramid and …poof… inside it appears the most haunting, most delicate and most adorable ghostly hologram of Kate Moss- surely his most beloved muse- floating to classical music. It is breathtakingly beautiful.

The demand for this show has been so enormous that they are opening the museum overnight on the final weekend to allow everyone to get their eyes on this magic. Fashion exhibitions have slowly been becoming more popular, attracting a mainstream audience, and this one, well, it has catapulted fashion exhibitions onto an even bigger stage. McQueen; in his death we lost a great talent but this show reminds us just how much he gave us. Wonderful.

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Below is a video of the Kate Moss hologram, the title bears a mis-spelling of his name but…take a moment to indulge in this, it’s gorgeous.

Prim Is Back In Town!

nfwWhoop! For you lucky, lovely people of Norwich, it’s that time again, time for fashion frolics all week long, it’s NORWICH FASHION WEEK! Hurrah, and this time, Prim is back on the scene! Since closing the shop and going online, we miss your pretty faces and so we’re very happy to be a part of The Vintage Show on Sunday 8th March at The Puppet Theatre! Tickets sell FAST for this wonderful show, so book yours now otherwise you may miss out and, then we shall all have sad faces! The event is always a really popular night and so much so that this year they have gone ALL OUT and are giving you TWO shows to make sure you get to see it; one at 2pm and one at 7.30pm, and, tickets are just £10, ooosh, what a heap of fun you get for a tenner! This beautiful event is brilliantly sponsored by Wex Photographic, who ran a very cool Facebook competition for fashion fans to win a photography workshop with photographer Paul Bayfield; and those lucky winners will be at the catwalk side snapping away! Sponsorship doesn’t get much cooler than that!

So, this week I shall be selecting what gorgeous dresses to showcase in the fashion show, with my list of all the very stunning gals who will be modelling! It’s always fun to choose a selection, deciding how all the dresses will sit together as a group whilst also trying to show off as many different styles, textures and prints as possible! Here’s some snapshot sneak peeks as I prepare for the show, will these dresses be included in my selection? The only way to find out is to COME ALONG and see us, we’re excited to see you!

Check out our Facebook page for your chance to WIN TWO TICKETS to the evening show! See you there!

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