Scream Queen Dream

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So, Scream Queens on E4, isn’t really aimed at me, surely I’m out way of their target age range, but, have you SEEN it? Oooof! I watched the first episode thinking it would just be a cute bit of easy breezy telly on a winters night, and, by gosh, waaah, I was hooked, it’s a dream to watch, it’s like candy floss for the eyes; a swanky pastel fash fest! Now, I ain’t seen styling as superb as this since Sex and The city, and that’s sayin’ somethin! It totally blows me away every episode, such saccharine sweet goodness in every look. It’s kitsch, it’s tongue in cheek, it’s hilariously written and it’s so overly styled it’s like watching a preened My Little Pony winning a show jump; SUBLIME. The set too, is impeccable, I gasp when I watch it. I adore trash TV like this, great escapism from my sofa with my kitty on my lap and hearts in my eyeballs. The look of this show is utterly faultless. I have one MAJOR bone to pick with it though, it massively mocks the issues of girls and eating disorders, which is ridiculously irresponsible, seriously NOT GOOD. The characters are seen eating cotton wool balls for lunch and appear sat at a dinner table eating thin air with knives and forks, frequent references are also made to dieting and making yourself sick. It’s more than crazy that they include this in a show which has an enormous young following. I mean, I totally get that this show is satirical, it parodies the genre, the style and the intelligence of shallow college girls, but the eating disorder thing, that’s satire gone crazy. Maybe girls these days respond more to the fear of ridicule than anything else so the writers feel the inclusion of stuff like this is a good way to educate girls on eating and body issues, I can’t figure it out. But the rest of the show is just SO damn good I can only hope they have a good intention behind their reason to mock eating issues. I’m stumped. But, still, pretty show, very, very pretty.

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Cate Blanchett Is Dressed for Seduction as Carol

carolThere are some films where the fashion feels like a full-on character in it’s own right. Sex and The City, Great Gatsby, Atonement, they’re some of the biggies which all have fashion in them creating this other pull, this other thing which holds your gaze and stands up as a major part of the viewing experience. Carol, the new film directed by Todd Haynes, starring Cate Blanchett and Rooney Mara is a film set to join those ranks. A subtle but enthralling love story -based on the book ‘The Price of Salt’ by Patricia Highsmith- Carol, is set in New York city in 1952 and follows the sincere romance between two women. The costumes, designed by Sandy Powell, are EXSQUISTE! Blanchett as Carol is pretty much effervescent, with her high glamour, elegance and sophistication, compared to the more discreetly and casually dressed Therese, played by Mara. Carol is the impeccable type of woman you would see in a magazine while Therese is the working class girl on the street. This styling plays a huge part in Carol’s seduction of Therese, her look, her poise and presence are an aspiration, she is transfixing, and that, well, it’s massively down to her fashion. With her simple elongated silhouette, the smooth tones and perfectly placed accessories, the costume here screams of neatness and constraint, much like the character herself; poised and possibly a little suppressed. To get the look as perfect as it is designer Powell used a lot of era specific underwear to exaggerate Blanchett’s shape; padding on the hips and the classic 50’s pointed bras! With authentic vintage bags and shoes made by Ferragamo to be exact copies of old shoes, the clothing here is just as alluring as the women and the story. Absolutely sublime.

Carol-3carol-movie-poster-cate-blanchett-rooney-mara-5Carol is in UK theatres from 27th November 2015

 

Oh Oscar! The Dresses Are So Divine!

As a girl who is ALL about dresses, I kinda can’t help but get a little giddy when it comes to the red carpet of The Oscars, that once a year date when us Brits can sit up late into the night wearing our pj’s to swoon at the glamour and beauty of Hollywood! Oh the prettiness! Dresses galore! And, the faces, the jewells, the hair, the shoes … it’s all so darn dreamy! For this years red carpet there was a delicious flurry of beads, sequins and embellishment, plunging necklines, and lots of white, pastels and golds. Reliably sophisticated and elegant. As it’s such a timely event it does seem a little stiff and straight and I keep my peepers out for the ladies who opt for something with a little quirk or attitude, but hey, I love classic glamour too… heck, I just freakin’ love a posh frock!

I find there’s always a handful of screen stars whose look I continually covet and am slightly bias toward, coz I just outright love everything about them; Marion Cotillard, Cate Blanchett and Emma Stone had it nailed for me before I even saw their looks for the night, I just know they will rock it. Every. Single. Time.

My most favourite 10 looks from The Oscars 2015 are these;

Scarlett Johansson- Atelier Versace

Scarlett Johansson in Atelier Versace. A great shape, the fabric looks almost like a vintage crepe, the green was a good stand-out choice and the beaded necklace is just damn perfect styling.

Lady GaGa-Custom Azzedine Alaia

I’m not a massive Lady Gaga fan but I love the texture and the exaggerated stiffness of the sleeves, she perfectly blended classic with a modern sharpness.

Rosamund Pike-Givenchy

Rosamund Pike in Givenchy, just, oh my, just so beautiful…that waist detail!

Emma Stone- Elie Saab

Emma Stone in Elie Saab, in my opinion, just about the most beautiful girl in the whole wide World, and this golden gown makes her glow, big time.

Marion Cotillard-Dior Couture

Marion Cotillard in Dior Couture, I ADORE this, Marion isn’t afraid to steer slightly off centre with her fashion choices, this is just divine.

Cate Blanchett-John Galliano

Cate Blanchett in John Galliano with Tiffany and Co. necklace, so fresh and minimal, her elegance is mesmerizing; a brilliant choice.

Hannah Bagshawe-McQueen

Eddie Redmayne’s wife Hannah Bagshawe wore McQueen, a faultless choice for a girl who is being catapulted into the spotlight with her new husband; simple but with signature McQueen detailing of feathers and jewells, standing out with an understated beauty.

Sienna Miller-Oscar De La Renta

Sienna Miller in Oscar De La Renta, so simple, I love the velvet ribbon detail, her make-up looks a little heavy on the contouring, but, she looks absolutely beautiful.

Jennifer Lopez-Elie Saab

Jennifer Lopez in Elie Saab is probably the most classic ‘Oscars’ dress of my choices, it’s pretty dreamy, there’s nothing I don’t adore about it.

Rita Ora-Custom Marchesa

Her usual style doesn’t make my eyes pop but, in this custom Marchesa gown she looked awesome, the silhouette is just superb.

Which dresses made your heart beat a little faster?

 

Prada Dresses Daisy; The Great Gatsby Costumes

 

 

‘Cant repeat the past?…..Why, of course you can.’  The Great Gatsby, F Scott Fitzgerald

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Whoopie-dooo! I am so excited to see Baz Lurhman’s The Great Gatsby, and the release date is very nearly here! I adore the F Scott Fitzgerald book, it is quite possibly my favourite book ever, and Lurhman is one of the most sumptuously beautiful directors of our time, so I am pretty damn certain the wait shall be worth it.

For many of Lurhman’s films, including Romeo & Juliet and Moulin Rouge, the costume designer was the supremely talented Catherine Martin. For this film, set in New York in the 1920’s, Martin has teamed up with the legendary Miuccia Prada. Super; we are in for a treat. Transforming over 40 dresses from the archive collections of Miu Miu and Prada, Miuccia says she was fascinated by how little adaptation many of them needed, even though none had originally been designed with the 20’s era in mind. These costumes are about character and the story of those characters lives, rather than blatant glamour.

Great Gatsby

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With this yellow sequin dress from a past Prada collection, we can see how easily suited the original design was for this film, the perfect choice of costume collaborator.

Great Gatsby

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The centre piece dress in the film is Daisy Buchanan’s party dress, which is a gently revised version of Prada’s Chandelier dress from their 2010 collection, as seen here on Miss Moss. The dress was originally designed around the idea of light, but in this film it is about wealth; Lurhman wanted Daisy to be the ‘most beautiful and rich woman in the world’.

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Great GatsbyAn exhibition showcasing the costumes is currently showing in the New York Prada store, to coincide with the anticipation of the film’s release, then the exhibition goes to Tokyo and Shanghai.The movie hits UK movie theatres on May 16th. 

For more information visit The Great Gatsby and Prada.

 

Hooray for Hollywood Costume

Most people who like fashion and galleries, are probably aware of the current exhibition at London’s V&A; Hollywood Costume. Billed as a ‘once in a lifetime opportunity to see over 100 of the most iconic costumes in the history of film-making’, my Mother and I arrived with pretty high expectations. And by heck, it certainly didn’t disappoint, this exhibition is nothing short of epic. We arrived in Kensington, had a long lazy coffee and mooched over to the V&A. My goodness it was busy, my lovely Mama is a member of the V&A which is amazing value and gets you into the exhibitions free and ahead of the queues, phew! It was bustling! I knew the exhibition had three main rooms but I had no idea how huge this show was. All three rooms were grand in size and both the curation and the styling was beyond superb. Every costume was given room to breathe, they were not behind glass which was great to see, but the security was understandably hot, no photos and no touching! The lighting was perfection, pretty dark with just the outfits given the spotlights. The information on each movie, character, designer, director and actor was really thorough and the time it took to go through the whole exhibition made us feel, at the end, as if we had been on a magical movie journey. We went into the V&A in crisp autumn daylight, and came out into the dark of the evening. Wow. We were totally absorbed and were completely unaware of time, exactly like that wonderful feeling you get after being in the movie theatre, you come back outside to real life, having just spent time in another world, gorgeous.

The amount, the variety and the provenance of all the costumes on display was literally awesome. Seeing a dress worn by Marilyn Monroe, Audrey Hepburn, or Vivien Leigh on it’s own would be a great delight, but this exhibition houses pretty much every iconic outfit you could think of. From the beginning of movie history, up to the most recent Hollywood blockbuster, this has everything. It’s great for girls, guys, kids and older people, every single person who visits will undoubtedly see a costume that they have always loved.

One of the main draws of this show was the legendary costume from The Wizard of OZ, most especially the ruby slippers that Judy Garland wore in the film. This was the first time the shoes had ever been on display outside of the USA. Exhibition curator Deborah Nadoolman took 5 years to secure the loan of the shoes from the Smithsonian Museum of American History in Washington. Even then, they were only loaned for a very limited time, so that they could be back in their original home in time for Thanksgiving. The Wizard of Oz is shown every year in the USA as a Thanksgiving tradition. My Mother and I saw the shoes on their last day at the V&A, yay! At the very end of the gigantic exhibition, there they were, in a small glass case all on their own. Oh my, how we gazed upon them. Not as bright and vivid as they appear in the film, the deep red shoes made my heart skip a beat, so much history and value right there in a little pair of beaten up shoes. The shoes in the movie were originally going to be silver, but got changed to red at the last moment so they would be a bolder contrast to the yellow brick road. The ones we saw have since been replaced with replica shoes-made by the same company who made the originals-for the remainder of the exhibition.

With so very many amazing costumes on display and without wanting to spoil the fun for those who are yet to visit, it’s hard to choose which ones delighted me the most, but here is my pick of the exhibition.

Below is the green velvet dress that Vivian Leigh wore in ‘Gone with the Wind’, 1939.

Tippi Hedren’s suit from Hitchcock’s ‘The Birds’, 1963.

My absolute favourite dress in the show, Joan Crawford’s rich red beaded gown from ‘The Bride Wore Red’, 1937.

I was pretty much mostly loving the 1930’s looks, both the original and this silk green modern one from ‘Atonement’, 2007, worn by Kiera Knightly.

Similar to thr red Joan Crawford gown, also designed by Hollywood costumier Adrian, this silver caped and beaded 1930’s dress was another one I fell in love with. From the movie, ‘My Man Godfrey’, 1936, worn by Carole Lombard.

And of course, the classic, simple, and most iconic movie outfit worn by Judy Garland in ‘The Wizard of Oz’, 1939.

Go see this exhibition, it is gob smackingly beautiful, dreamy, nostalgic, stunning, exciting, glamorous and wonderful. It is on until 27th January 2013.

 For more information visit www.vam.ac.uk/hollywoodcostume